
1.
I started by swirling some paint
down for 'water' and did a rough and quick mermaid.
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2.
Fleshed her out and shaded her in
and as you can see, added a face. Defined the hair. Loving the boobs in this
take. :)
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3.
Worked on the face some more,
bigger eyes, also the 'hip; and tail get some light. The water is busy with
white waves for now.
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4.
Here I add the plant next to her
and the water calms down considerably and I add reflection by making
feather-light downward strokes into the water. I add a heart because I 'saw'
the starting of one in the previous shot, and worked with it. I often see
things in the paint that creates an idea to go from. She has some scales now,
too.
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5.
Well as you can tell, I've busied
up the painting a lot, by adding all the leaves around her and I'm starting to
like it. Still working on her face, and still adding color, light, and depth to
the water. I'm thinking she's looking pissed though, haha...
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6.
...so I lighten her expression by
raising her eyebrows and tweaking her mouth. There, now that's a more
approachable mermaid. ;)
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7.
I add a little 'crown' of flowers
around her head. And I decide to add leaves in front of her and work on that
for a while...
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8.
...only to decide that it
overcrowds the painting, to my eye. So it's gone. Paint is soooo forgiving.
Don't like it? Wipe it off, re-paint, re-position, etc. There is no way you can
lose with paint, it's so fixable. Makes me ponder why folks get constipated
about painting, thinking the first stroke has to be the genius stroke. Why? You
have forever to paint over it. If you knew how many layers and even full
paintings lurked under all my work... well you DO know, because I make no
secret of it. I believe it is an important part of the process. It makes the
difference between a finished painting and one that never got started. I tell
you this to encourage you to make this the day you pull your paints out and
play! :)
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9.
And this, is she. Click on her
:)
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